Marketing your products and services
Market entry
The digital revolution and the effect it has had on the industry structure is good news for Australian acts. The historically dominant major label structures, which have not been conducive to marketing music from small foreign acts, are breaking down.
France is already a target market for many Australian acts; however, business there does not come easily. A performance in France is usually a lead-on from a UK and European tour, which involves a large expense of marketing throughout Europe. Because of the sheer scale of Europe, it is not a market where acts can learn as they go – market readiness is vital.
Build the story
Australian acts need to be able to do as much business development work as possible from Australia before making the investment in visiting or touring in what is a very expensive market.
Australian acts can show French buyers that they are serious by building their ‘story’ in Australia, having the kinks worked out of their business, and having proven success in Australia. Examples of a story include significant radio airplay, touring ability, album sales, or press. These will not only give experience in dealing with those aspects of promotion, but can be used as fuel for the sales pitch.
Having the right connections in France to be able to deal with a language and cultural barrier will also be an edge.
Go digital
The digital revolution has provided some assistance in this regard. The Internet is making it easier for Australian acts to market their product in Europe – MP3s can now be emailed from Australia instantly.
An act should foster an active online community, through sites such as Myspace.com or fan sites. The key advantage to Internet marketing is its cost effectiveness, and the fact that it can all be done from Australia. In addition, a European tour should also be accompanied by a website listed in multiple languages; in the countries which the tour will take place.
Have a marketing plan – and follow it
It’s really best if an act can guide people when asking for support or help. Knowing where their needs are is imperative. There are so many areas that need to be covered, for example, touring, recording, licensing, shopping for deals, showcasing, and sponsorships.
It’s very important that the act knows what they need, and when they need it. It’s really best to work out a marketing plan with a manager, and prioritise what areas should be focused on. Arriving in Europe and simply saying, ‘Can you help us?’ often leads to nothing getting done.
Other resources
The following are various other tools for market entry and exposure in Europe:
- Radio: For an unknown artist commercial radio is probably out of the question. Research and submit music to college and public radios.
- Press: Traditional print media and online outlets should be an important component of a marketing plan.
- Tour: Book regional tours to gain fans, industry awareness and personal market insight.
- Retail: Consider arranging in-store performances at local record stores while passing through the market.
- Internet: Check out cdbaby.com, Myspace.com, and target fan sites of artists that are similar to the act’s sound.
- Film/TV: Licensing tracks to film/TV is increasingly becoming an integral part of building the ‘story’.
Most importantly, doing research is vital:
- Know who the key players are for the type of music that is being created.
- Know the history and methods that other similar acts used to break themselves.
- Set up as many meetings and shows as possible before entering the European market.
- Never underestimate the power of networking and building of relationships over the long term.
|